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July 18, 2014

Aidan Bloom, a struggling actor, father and husband, is 35 years old and still trying to find a purpose for his life. He and his wife are barely getting by financially and Aidan passes his time by fantasizing about being the great futuristic Space-Knight he'd always dreamed he'd be as a little kid. When his ailing father can no longer afford to pay for private school for his two kids and the only available public school is on its last legs, Aidan reluctantly agrees to attempt to home-school them. Through teaching them about life his way, Aidan gradually discovers some of the parts of himself he couldn't find.

A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.

In the future, a meteor crashes into Earth and brings with it a virulent form of life. This virus is known as M34 and attacks humans, turning them into vicious monsters. Most of the human population is wiped out, thus government agencies are formed to fight the virus. One of the groups, NOA, inserts nanomachines into the bodies of its soldiers; these machines allow them to transform and fight off the infected. Unfortunately, the virus mutates and becomes too strong for NOA to handle. Now the fate of the world rests in the hands of 16-year-old girl with the power to defeat the virus.

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